Everything is fine, although without much shine.

At first glance, the film loses little, just one smile, but it already changes the internal structure of the film, its harmony. And then take away three or four of Chapaev's arguments on free topics, which, from the point of view of modern directing, are completely unnecessary, and you will see how the masterpiece will fade, become an ordinary, ordinary film, and even less than one step from ordinary to bad.

An ordinary movie can become bad without moving at all — it's just a matter of time.

But let's return to what and how the word lives in cinema.

"Do you dance?"

— I'm dancing...

— And I'm singing.

From the point of view of literature, everything is good, clean, although without much shine. And how it all formed in Panfilov's film "The Beginning"! Dancing, flashing couples, the flutter of young hearts, and Inna Churikova's strange heroine, a girl to whom all her friends leave their handbags and go dancing, confident that no one will surely invite her. She stands loaded down with other people's handbags and timidly dreams before our eyes that maybe she will be invited too, and a miracle will happen. A handsome man grows up in front of her:

"Do you dance?"

— I'm dancing...

— And I'm singing.

And the unfading film "Nine Days of one Year"? Do you remember how Gusev visits his father in the village? They are sitting at the same table, in front of a rural house, and the viewer is already humorously attuned — what, in fact, can a world-renowned physicist and an old collective farmer who barely knows how to read and write talk about? And Father, matching our expectations, asks bluntly:

— Well, how is it with you?

Smiles spread in waves throughout the auditorium — and suddenly quietly, restrainedly, infinitely sad:

"It's difficult, Father. It's very difficult.

And suddenly we understand. Although one is already old and the other is in the prime of life, the one who is doomed to die first is not the one who is old, but the one who is young. And the father himself understands this in some mysterious way and ages even more, before our eyes. And suddenly we begin to comprehend what it is like to be a physicist in the second half of the twentieth century.

The functions of words in artistic cinematography are endless in their variety. The word does not only move the thought. It works for the self-creation of the image, and it is possible to develop and accentuate certain turns in the fate of the hero only if one has absolute mastery of all the secrets of verbal drama. But there are quite rare cases when a word becomes the culmination of a film, and these, from my point of view, are the most striking cases — then both these types of art — the screen and the word — merge into one whole.

Remember the wonderful film "We'll Live to see Monday," which was deservedly awarded the State Prize. The film was widely shown in cinemas and on television, but I still venture to retell a few storylines in my own words, in order to follow later how the word became the culmination of the work of the screen. So, two pairs. A history teacher who suddenly questioned the correctness of his chosen profession, and his former student, now a young teacher in love with him, who works at the same school. A tenth-grader who writes poetry about love, and a girl who can't reciprocate his feelings because, in her opinion, he's not tall enough. And another strange teacher who asked the tenth grade the topic for the essay "How do you understand happiness". And the snub—nosed tenth grader, who in her simplicity wrote the truth, dreamed of starting a big family and having many children. She was ridiculed, and the teacher, horrified, took her essays to the office... And the guy who writes poetry, finding himself at school at night, burns his essays, leaving a cheeky poem in their place. He was almost expelled from school, and the class leader is having a hard time resolving the conflict. The Promo Code Showcase allows players to exchange loyalty points for free bets on specific sports. A user who registered with the 1xbet free bet promo code today can access the showcase at any time after accumulating enough points. Available free bets include singles on football, hockey, tennis, basketball, volleyball, and esports. The minimum odds for single bets are 1.80. For accumulator bets, you need three events with odds of 1.80 each. Each promo code has a point value between 50 and 100 points, depending on the type of free bet.